Video Production:

Looking through the Xpress Pro feature list, you will find almost every feature required for a DV edit. Xpress Pro supports up to 24 video tracks — plus nesting multiple effects within a track. Up to 24 audio tracks can be used, but output is confined to only two channels.

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Xpress Pro supports realtime preview of up to five video streams. All standard effects can be played without rendering. Moreover, all aspects (e.g., borders) of an effect are played without rendering. As the effect load becomes too great for your computer, frames will be dropped during playback. If you encounter dropped frames, you can click the High Performance mode, which yields softer-looking images on your RGB monitor but enables smoother playback.

Other features include drag-and-drop editing, insert, overwrite, superimpose, Fit-to-Fill, three-point editing, roll, ripple, blade, slip and slide, split edit, realtime voiceover punch-in, Advanced Media Management, ExpertRender, fully customizable user interface, JKL trim, and Avid's Title Tool that supports title rolls and crawls.

Xpress Pro supports color correction, of course. Avid's AutoCorrect and NaturalMatch functions help maintain constant object color from shot to shot. Naturally for Avid, the corrector has a complete set of signal monitors: Y waveform, YC waveform, vectorscope, RGB histogram, YCbCr histogram, RGB parade, YCbCr parade, and quad display. All these new capabilities are vital for working with DV footage.

In addition to color correction, complex jobs can accomplished by using these power features: image stabilization, IllusionFX, OpenGL 3D DVE, Boris FX LTD, Profound Effects Elastic Gasket, realtime time-warp effects, title, matte, PIP promote to 3D, and After Effects plug-in support. Over 115 realtime effects are supported, as is a set of 3D effects.

Xpress Pro provides a complete set of audio capabilities: Digidesign AudioSuite, realtime EQ and effects, realtime cross fade, and 24-bit audio support.

With regard to the supported capture capabilities, Xpress Pro has all that would be needed for DV work via FireWire. Capabilities include DV FireWire capture, DV scene extraction, timecode display, edit to tape, multi-layered Photoshop import, batch capture, an EDL manager, OMF and AAF support, and, if needed, RS-422 deck control. Moreover, Xpress Pro supports LANshare shared storage.

Output capabilities depend on whether you use the OS X or XP versions (both are included in the Avid box). PC users get MPEG-2 encoding (Main Concept), Sonic ReelDVD (Professional), Sorenson Squeeze 3 Pro, plus export of QuickTime, Flash, Flash Video (SWF, FLV), SVCD, VCD, Windows Media 7-9, Real Media, MPEG-1, MPEG-2, and MPEG-4. Mac users receive only QuickTime export, Sorenson Squeeze 3 Pro, Flash, Flash Video (SWF, FLV), SVCD, VCD, MPEG-1, MPEG-2, and MPEG-4.

If you are working with the Panasonic DVX100 at 24p, Xpress Pro has you covered. You can edit a 23.97fps timeline after capturing via FireWire. The Pro version also includes the full set of film tools that previously shipped with the Xpress DV 3.5 PowerPack. These tools include matchback to negative cut lists, Avid Log Exchange, AutoSync, dupe detection, script-based editing, and Film Effects.

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